{"id":54,"date":"2025-05-16T13:54:48","date_gmt":"2025-05-16T11:54:48","guid":{"rendered":"https:\/\/wp.etahoffmannorchester.de\/?page_id=54"},"modified":"2026-04-22T06:58:28","modified_gmt":"2026-04-22T04:58:28","slug":"orchester-vita","status":"publish","type":"page","link":"https:\/\/etahoffmannorchester.de\/?page_id=54","title":{"rendered":"Orchester Vita"},"content":{"rendered":"

[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_video_slider _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_video_slider_item src=“https:\/\/youtu.be\/wCAXXuBXzxU?feature=shared“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“ show_image_overlay=“off“][\/et_pb_video_slider_item][et_pb_video_slider_item src=“https:\/\/youtu.be\/FIEZZiSYoQQ?feature=shared“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“ show_image_overlay=“off“][\/et_pb_video_slider_item][et_pb_video_slider_item src=“https:\/\/youtu.be\/4QzoMOdpMyc?feature=shared“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“ show_image_overlay=“off“][\/et_pb_video_slider_item][et_pb_video_slider_item src=“https:\/\/youtu.be\/HimDuSbok00?feature=shared“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“ show_image_overlay=“off“][\/et_pb_video_slider_item][et_pb_video_slider_item src=“https:\/\/youtu.be\/-E__dHgCNZw?feature=shared“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“ show_image_overlay=“off“][\/et_pb_video_slider_item][\/et_pb_video_slider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ theme_builder_area=“post_content“ _builder_version=“4.27.6″ _module_preset=“default“][et_pb_row _builder_version=“4.27.6″ _module_preset=“default“ theme_builder_area=“post_content“][et_pb_column _builder_version=“4.27.6″ _module_preset=“default“ type=“4_4″ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ theme_builder_area=“post_content“ hover_enabled=“0″ sticky_enabled=“0″]<\/p>\n\n\n\n\n
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Zuletzt stattgefundene Konzerte:<\/b><\/span><\/div>\n<\/td>\n<\/tr>\n
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S\u00fchne-Christi-Kirche Charlottenburg-Nord<\/b><\/span><\/div>\n
Toeplerstr. 1, Halemweg<\/span><\/div>\n
13627 Berlin<\/span><\/div>\n<\/p>\n
Sonntag,<\/span><\/div>\n
23. April 2023, 18 Uhr<\/b><\/span><\/div>\n<\/p>\n
<\/b><\/span><\/div>\n<\/td>\n
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Georg Friedrich H\u00e4ndel<\/b><\/span><\/div>\n
(1685-1759) \u00a0<\/b><\/span><\/div>\n
Utrechter Te Deum f\u00fcr f\u00fcnfstimmigen Chor, Soli und Orchester<\/span><\/div>\n<\/p>\n
Arvo P\u00e4rt (1935*) \u00a0<\/b><\/span><\/div>\n
Fratres<\/span>\u00a0<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Solovioline:<\/b><\/span><\/span><\/div>\n
\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Anhelina Serafymorych<\/span><\/div>\n<\/p>\n
Johann Sebastian Bach (1685-1750) \u00a0<\/b>Magnificat<\/span><\/div>\n
f\u00fcr f\u00fcnfstimmigen Chor, Soli und Orchester<\/span><\/div>\n<\/p>\n
Solisten: Ella Farreras-Cabrero<\/span><\/div>\n
(Sopran 1),<\/span><\/div>\n
Ema da Sa (Sopran 2),<\/span><\/div>\n
Yingsi He (Alt),<\/span><\/div>\n
Mert \u00dcstay (Tenor),<\/span><\/div>\n
Frederic Schikora (Bass)<\/b><\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Babette Neumann \u00a0\u00a0\u00a0\u00a0\u00a0<\/b><\/span><\/div>\n
Dinah Backhaus \u00a0\u00a0\u00a0\u00a0<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/td>\n
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Carl Philipp Emanuel Bach<\/b><\/span><\/div>\n
(1714-1788)<\/b><\/span><\/div>\n
Fl\u00f6tenkonzert d-moll<\/span><\/div>\n<\/p>\n
Solo: Andreas Nicolin, Fl\u00f6te<\/span><\/div>\n<\/p>\n
Antonin Dvor\u00e1k (1841-1904)<\/b><\/span><\/div>\n
Serenade E-Dur f\u00fcr<\/span><\/div>\n
Streichorchester, op. 22<\/span><\/div>\n<\/p>\n
Antonio Vivaldi (1678-1741)<\/b><\/span><\/div>\n
Konzert f\u00fcr Streicher g-moll<\/span><\/div>\n
RV 157<\/span><\/div>\n<\/p>\n
Peter Warlock,<\/b><\/span><\/div>\n
ein Pseudonym f\u00fcr<\/b><\/span><\/div>\n
Philip Arnold Heseltine<\/b><\/span><\/div>\n
(1894-1930)<\/b><\/span><\/div>\n
Capriol Suite<\/span><\/div>\n<\/p>\n
Solo: Isabella Branco, Mezzo-Sopran<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Dinah Backhaus \u00a0\u00a0\u00a0\u00a0<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/p>\n
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Herbstkonzert<\/b><\/span><\/div>\n<\/p>\n
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Willibald Gluck (*1714 Erasbach, \u20201787 Wien)<\/b><\/span><\/div>\n
„Reigen seliger Geister“ und „Furientanz“.<\/span><\/div>\n<\/p>\n
E.T. A. Hoffmann (*1776 K\u00f6nigsberg, \u20201822 Berlin)<\/b><\/span><\/div>\n
Arie: Es wandeln zum Gl\u00fccke die Sterne aus „Die lustigen Musikanten“<\/span><\/div>\n<\/p>\n
Peteris Vasks (1946*)<\/b><\/span><\/div>\n
Musica Dolorosa for strings<\/span><\/div>\n<\/p>\n
E.T. A. Hoffmann<\/b><\/span><\/div>\n
Arie: Sacrificium Deo aus „Miserere“<\/span><\/div>\n<\/p>\n
W.A. Mozart (1756-1791)<\/b><\/span><\/div>\n
Alleluia aus „Exsultate, jubilate“<\/span><\/div>\n<\/p>\n
Ludwig van Beethoven<\/b><\/span><\/div>\n
(*1770 Bonn, \u20201827 Wien)<\/b><\/span><\/div>\n
Sinfonie Nr. 6 F-Dur op. 68 (Pastorale)<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Dinah Backhaus \u00a0\u00a0\u00a0\u00a0<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n
Hanno Bachus (als Gastdirigent)<\/b><\/span><\/div>\n<\/p>\n
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Konzert in Zusammenarbeit mit der Staatsbibliothek zu Berlin<\/b><\/span><\/div>\n
anl\u00e4sslich des 200.Todestages<\/b><\/span><\/div>\n
von ETA Hoffmann<\/b><\/span><\/div>\n<\/p>\n
„E.T.A. Hoffmann \u2013 Dichter,<\/b><\/span><\/div>\n
Komponist und Musikliebhaber“<\/b><\/span><\/div>\n<\/p>\n
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Arcangelo Corelli (1653-1713)<\/b><\/span><\/div>\n
Concerto Grosso Op. 6 n. 8<\/span><\/div>\n
Concerto natale<\/span><\/div>\n<\/p>\n
Haydn Joseph (1732 -1809)<\/b><\/span><\/div>\n
Symphony No. 83 in g-moll<\/span><\/div>\n
„la poule“<\/span><\/div>\n<\/p>\n
Paul Hindemith (1895\u20131963)<\/b><\/span><\/div>\n
Trauermusik f\u00fcr Viola und Streicher<\/span><\/div>\n
Claudia Kussmaul, Solo-Viola<\/b><\/span><\/div>\n<\/p>\n
Johann Sebastian Bach<\/b><\/span><\/div>\n
(1685-1750)<\/b><\/span><\/div>\n
Arie aus<\/span><\/div>\n
„Herr, gehe nicht ins Gericht<\/span><\/div>\n
mit deinem Knecht“ BWV 105<\/span><\/div>\n<\/p>\n
Wolfgang Amadeus Mozart (1756-1791)<\/b><\/span><\/div>\n
Exsultate jubilate KV165<\/b><\/span><\/div>\n
Carolina Dawabe-Valle, Sopran<\/b><\/span><\/div>\n<\/p>\n
Gemeinsames Lied:<\/span><\/div>\n
Tochter Zion, freue dich<\/b><\/span><\/div>\n
Adventslied<\/b><\/span><\/div>\n
Es basiert auf von Friedrich<\/span><\/div>\n
Heinrich Ranke (1798\u20131876)<\/span><\/div>\n
umgetexteten Chors\u00e4tzen aus<\/span><\/div>\n
Georg Friedrich H\u00e4ndels Oratorien Joshua und Judas Maccab\u00e4us.<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Dinah Backhaus \u00a0\u00a0\u00a0\u00a0<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/p>\n
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Sommer-Sinfoniekonzert<\/b><\/span><\/div>\n
des ETAHO<\/b><\/span><\/div>\n<\/p>\n
Wolfgang Amadeus Mozart<\/b><\/span><\/div>\n
(1756-1791)<\/b><\/span><\/div>\n
Ouvert\u00fcre Zauberfl\u00f6te KV 620<\/span><\/div>\n<\/p>\n
Paul Hindemith (1895\u20131963)<\/b><\/span><\/div>\n
Trauermusik f\u00fcr Viola und Streicher<\/span><\/div>\n
Solo-Viola: Claudia Kussmaul<\/b><\/span><\/div>\n<\/p>\n
Felix Mendelssohn-Bartholdy<\/b><\/span><\/div>\n
(1809-1847)<\/b><\/span><\/div>\n
Sinfonie 3 a-moll op. 56 Die Schottische<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Dinah Backhaus<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/p>\n
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Konzert des ETAHO<\/b><\/span><\/div>\n
mit dem<\/b><\/span><\/div>\n
Madrigalchor Charlottenburg<\/b><\/span><\/div>\n<\/p>\n
Johann Sebastian Bach<\/b><\/span><\/div>\n
(1685-1750)<\/b><\/span><\/div>\n
Weihnachtsoratorium<\/span><\/div>\n
Kantaten 3, 5 und 6<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Hanno Siepmann<\/b><\/span><\/div>\n<\/p>\n
Einstudierung Orchester:<\/span><\/div>\n
Dinah Backhaus<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/p>\n
Einstudierung Chor:<\/span><\/div>\n
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Ludwig Beethoven<\/b><\/span><\/div>\n
(1770-1827)<\/b><\/span><\/div>\n
Ouvert\u00fcre zu \u201eCoriolan\u201c (op. 62)<\/span><\/div>\n<\/p>\n
Arvo P\u00e4rt (*1935)<\/b><\/span><\/div>\n
Fratres f\u00fcr Solovioline, Streichorchester und<\/span><\/div>\n
Schlagzeug<\/span><\/div>\n<\/p>\n
Solo-Violine:<\/span><\/div>\n
Claudia Kussmaul<\/b><\/span><\/div>\n<\/p>\n
Karl Jenkins (1944):<\/b><\/span><\/div>\n
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aus Palladio: Concerto grosso<\/span><\/div>\n
<\/div>\n<\/p>\n
Franz Schubert (1797-1828)<\/b><\/span><\/div>\n
Symphonie Nr. 8 h-Moll, D. 759 \u2018Unvollendete\u2019<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Dinah Backhaus<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/td>\n
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Spiegelsaal der Harmonie-S\u00e4le<\/b><\/span><\/div>\n
Schillerplatz 5,<\/b><\/span><\/div>\n
96047 Bamberg<\/b><\/span><\/div>\n<\/p>\n
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MUSIK-SALON<\/b><\/span><\/div>\n
im Geiste E.T.A. Hoffmanns<\/span><\/div>\n
Musik und russische Literatur<\/b><\/span><\/div>\n
Surrealistische Erz\u00e4hlung:<\/span><\/div>\n
<\/div>\n
„Katja Katjuscha-<\/b><\/span><\/div>\n
\u00a0Eine Liebe in Sibirien“<\/b><\/span><\/div>\n
<\/div>\n
mit Zwischen-Musiken von:<\/span><\/div>\n
Joachim Johow \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b>(UA 2017)<\/span><\/div>\n
Erz\u00e4hler: Andr\u00e9 Rauscher<\/b><\/span><\/div>\n
Antonio Vivaldi (1678-1741)<\/b><\/span><\/div>\n
Konzert f\u00fcr Streicher g-Moll RV 157<\/span><\/div>\n
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Sergeij Rachmaninov (1873-1943)<\/b><\/span><\/div>\n
<\/div>\n
Vocalise op.34, Nr.14<\/span><\/div>\n
Arvo P\u00e4rt (*1935)<\/b><\/span><\/div>\n
Fratres f\u00fcr Solovioline, Streichorchester und Schlagzeug<\/span><\/div>\n
Solo-Violine: Claudia Kussmaul<\/b><\/span><\/div>\n
Karl Jenkins (1944):<\/b><\/span><\/div>\n
aus Palladio: Concerto grosso<\/span><\/div>\n<\/td>\n
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am Sonntag,<\/span><\/div>\n
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Kirche zum Heiligen Kreuz,<\/b><\/u><\/a><\/span><\/div>\n
Berlin-Kreuzberg<\/u><\/a><\/span><\/div>\n<\/p>\n
WINTER-SALON<\/b><\/span><\/div>\n
im Geiste E.T.A. Hoffmanns<\/span><\/div>\n<\/p>\n
Russische Literatur mit Musik<\/b><\/span><\/div>\n
<\/div>\n
Surrealistische Erz\u00e4hlung:<\/span><\/div>\n
<\/div>\n
„Katja Katjuscha-<\/b><\/span><\/div>\n
\u00a0Eine Liebe in Sibirien“<\/b><\/span><\/div>\n
<\/div>\n
mit Zwischen-Musiken von:<\/span><\/div>\n
Joachim Johow \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b>(UA)<\/span><\/div>\n<\/p>\n
Antonio Vivaldi (1678-1741)<\/b><\/span><\/div>\n
<\/div>\n
Konzert f\u00fcr Streicher g-Moll RV 157,<\/b><\/span><\/div>\n
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Aram Chatschaturjan (1903-1978)<\/b><\/span><\/div>\n
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Walzer aus der Suite \u201eMasquerade\u201c<\/span><\/div>\n
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Sergeij Rachmaninov (1873-1943)<\/b><\/span><\/div>\n
Vocalise op.34, Nr.14<\/span><\/div>\n

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am Sonntag,<\/span><\/div>\n
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Kaiser-Wilhelm- Ged\u00e4chtniskirche Berlin<\/u><\/a><\/span><\/div>\n
Gluck, Willibald (1714-1787)<\/b><\/span><\/div>\n
Aus der Oper \u201eOrpheus und Eurydike\u201c<\/span><\/div>\n
Reigen seliger Geister \u00a0– \u00a0Furientanz<\/span><\/div>\n
Modest Mussorgsky (1839\u20131881)<\/b><\/span><\/div>\n
Bilder einer Ausstellung: Die H\u00fctte der Baba-Jaga<\/span><\/div>\n
Sergei Prokofjew (1891-1953)<\/b><\/span><\/div>\n
Romeo und Julia Nr. 13, \u201eTanz der Ritter …“<\/span><\/div>\n
John Williams (1932- ):<\/b><\/span><\/div>\n
– Jurassic Park<\/span><\/div>\n
– The Lost World<\/span><\/div>\n
– Star Wars: Main Title-<\/span><\/div>\n
– Imperial March<\/span><\/div>\n
Leroy Anderson (1908 \u2013 1975)<\/b><\/span><\/div>\n
„The Typewriter“ (1950) \u00a0\u00a0\u00a0\u00a0\u00a0„Belle of the Ball“ (1951)<\/span><\/div>\n
Karl Jenkins (1944)<\/b><\/span><\/div>\n
aus Palladio<\/span><\/div>\n
Concerto grosso f\u00fcr Streichorchester<\/span><\/div>\n<\/p>\n
Leitung:<\/span><\/div>\n
Dinah Backhaus<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n<\/td>\n
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Konzert in\u00a0<\/span><\/u><\/a>der Europaschule Friedrichshain<\/u><\/a><\/span><\/div>\n<\/p>\n
K<\/b><\/span>o<\/b>n<\/b><\/span>zert\u00a0<\/span><\/b><\/span>f<\/b><\/span>\u00fc<\/b>r<\/b><\/span>\u00a0<\/span><\/b><\/span>K<\/b><\/span>i<\/b>n<\/b><\/span>der\u00a0<\/span><\/b><\/span>und Erwachsene<\/b><\/span><\/span><\/div>\n
„Von Geistern, Hexen und Gruselwesen“<\/b><\/span><\/div>\n
Kreativkonzert \u00a0<\/b><\/span><\/div>\n
“ Monster und Au\u00dferirdische“<\/b><\/span><\/div>\n
unter Mitwirkung von Sch\u00fclern, Lehrern<\/span><\/div>\n
und dem Ensemble Trombonata<\/span><\/div>\n
(Posaunen-Einstudierung: Kai Heiden)<\/span><\/div>\n
H\u00f6rspiel mit Ger\u00e4usch-Improvisationen<\/b><\/span><\/div>\n
Gluck, Willibald (1714-1787)<\/b><\/span><\/div>\n
Aus der Oper \u201eOrpheus und Eurydike\u201c<\/span><\/div>\n
Reigen seliger Geister \u00a0– \u00a0Furientanz<\/span><\/div>\n
mit Tanz Choreographie der Kinder<\/span><\/div>\n
Sergei Prokofjew (1891-1953)<\/b><\/span><\/div>\n
Romeo und Julia Nr. 13, \u201eTanz der Ritter …“<\/span><\/div>\n
John Williams (1932- )<\/b>:<\/span><\/div>\n
– Jurassic Park<\/span><\/div>\n
–\u00a0<\/span><\/b>The Lost World<\/span><\/div>\n
–\u00a0<\/span><\/b>Star Wars: Main Title-<\/span><\/div>\n
– Imperial March<\/span><\/div>\n
Leroy Anderson (1908 \u2013 1975)<\/b><\/span><\/div>\n
„The Typewriter“ (1950) \u00a0\u00a0\u00a0<\/span><\/div>\n
„Belle of the Ball“ (1951)<\/span><\/div>\n<\/td>\n
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am Sonnabend,<\/span><\/div>\n
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Konzert in der Stadtwaage Posen<\/u><\/a><\/span><\/div>\n<\/p>\n
Johann Sebastian Bach (1685-1750)<\/b><\/span><\/div>\n
Doppelkonzert Fl\u00f6te und Violine<\/span><\/div>\n
d-moll, BWV 1060<\/span><\/div>\n
Katharina Paul, Solo-Violine<\/span><\/div>\n
Andreas Nicolin, Solo-Fl\u00f6te<\/span><\/div>\n
Gluck, Willibald (1714-1787)<\/b><\/span><\/div>\n
Aus der Oper \u201eOrpheus und Eurydike\u201c<\/span><\/div>\n
Reigen seliger Geister \u00a0– \u00a0Furientanz<\/span><\/div>\n
Joachim Johow (1952*)<\/b><\/span><\/div>\n
\u00a1Hola Pachelbel!<\/span><\/div>\n
A. Piazzolla (1921-1992):<\/b><\/span><\/div>\n
zwei Tangos: “ Azul y maron“ – „Chau Paris“<\/span><\/div>\n
J. Williams (*1932):<\/b><\/span><\/div>\n
Musik zum Film „Schindlers Liste“<\/span><\/div>\n
Leroy Anderson (1908 \u2013 1975)<\/b><\/span><\/div>\n
„Belle of the Ball“ (1951) \u00a0– \u00a0<\/span><\/div>\n
„The Typewriter“ (1950)<\/span><\/div>\n
E. Elgar (1857-1934):<\/b><\/span><\/div>\n
Marsch Nr.1 aus „Pomp and Circumstance“,<\/span><\/div>\n
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Leitung:<\/span><\/div>\n
Dinah Backhaus<\/b><\/span><\/div>\n
Matthias Wildenhof<\/b><\/span><\/div>\n

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Freitag, 27.11.2015<\/span><\/div>\n
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Kammermusiksaal der Berliner Philharmonie<\/u><\/a><\/span><\/div>\n
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Sonderseite zum Geb\u00e4ude des<\/u><\/a><\/span><\/div>\n
Kammergerichts Berlin<\/u><\/a><\/span><\/div>\n
>>><\/u><\/a><\/span><\/div>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Zuletzt stattgefundene Konzerte: S\u00fchne-Christi-Kirche Charlottenburg-Nord Toeplerstr. 1, Halemweg 13627 Berlin Sonntag, 23. April 2023, 18 Uhr Georg Friedrich H\u00e4ndel (1685-1759) \u00a0 Utrechter Te Deum f\u00fcr f\u00fcnfstimmigen Chor, Soli und Orchester Arvo P\u00e4rt (1935*) \u00a0 Fratres\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Solovioline: \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Anhelina Serafymorych Johann Sebastian Bach (1685-1750) \u00a0Magnificat f\u00fcr f\u00fcnfstimmigen Chor, Soli und Orchester Solisten: Ella Farreras-Cabrero (Sopran 1), Ema […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-54","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=\/wp\/v2\/pages\/54","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54"}],"version-history":[{"count":5,"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=\/wp\/v2\/pages\/54\/revisions"}],"predecessor-version":[{"id":175,"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=\/wp\/v2\/pages\/54\/revisions\/175"}],"wp:attachment":[{"href":"https:\/\/etahoffmannorchester.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}